Part 2. Assignment 2. Painting with light

Below is some self portraits where I’ve started to experiment with light and exposure. I know it doesn’t fulfil the brief.

I’ve always been drawn to the portraits by Francis Bacon. I’ve always found them really dark and intriguing. I wanted to try and re-create them in photography by using exposure time to create the blur and disfiguration.

See the source image

Bacon, Francis. Three Studies for Portrait of Lucian Freud. 1965.

I experimented with different exposure times, but didn’t get close to the look created in his work! I will keep trying. I’m thinking that I may have to introduce some make up to help create definition in the blur.

However I was really pleased in what I discovered by experimenting…. I discovered that by playing around with longer exposures I was able to create almost a double exposure…

After playing around I decided to set to 10 seconds. In that 10 seconds I would move my head and change my expression at 5 seconds. The idea was to create some conflict within the image.

Not sure why I chose green…just seem to work the best while I was playing around.

Next day.… I came back to the Francis Bacon idea…. I put on some make up and cut down the exposure time to 1 second. There isn’t enough definition in the photos to replicate most of his work, they are far too blurred…however I did find this painting below which is less defined than some of his other work.

See the source image
Bacon, Francis. Study for Head of Lucian Freud. 1967.

I feel like I got slightly closer to his work with the images below. It felt like I am painting with light in these photos.

Part II

I came across the work of the artist Leonid Pasternak, and with this assignment in mind, I was drawn to his work On the Sofa. See below. There were some similarities to the work of Francis Bacon, mainly in the way the faces of his portraits were not sharp, more blurred.

Pasternak’s work was different in that his portraits are painted in a very candid style… ordinary people getting on with their every day. His work includes the individuals surroundings.

Leonid Pasternak. On The Sofa. 1916.

Below is my take on his work. As you will clearly see its not very different from the self portraits I took in the style of Francis Bacon.

Part III

In my last set of photos I followed the brief more closely; using models, a torch and setting the exposure time to 30 seconds.

The emotional feedback I’ve received regarding the above photos from my children and from a photo I posted on Instagram was ‘scary’.

My generation is probably the first generation that have had to deal with ‘parenting tablets and phones’. Its all new to us on how we should deal with it, we cant look back at our own upbringing and cite what our parents did right and wrong. We also don’t know what the long term risks are for children. We can assume and make our own judgements but there’s not much research that can give facts.

Our gut says that its not good for them to spend too long on them. This causes conflict between Us the parents and them. Tt is also slightly hypocritical as I spend a silly amount of time stuck on my phone.

So what I wanted to achieve in these photo’s was a sense of unease and maybe even conflict.

I was conscious that I wanted to continue to be influenced by Bacon and Pasternak. I chose the ‘everyday’ settings found in Pasternak’s work, along with the blurred faces found in Bacon’s.

I particularly like this one (above) as there’s an almost alien feel to her.

Part 1. Assignment 1. Traces

For this Assignment we were asked to;

make a series of photographs that focus on and emphasize the traces that human kind leaves behind. If you’re lucky, and observant, your images may portray a palpable sense of their absence. 

I originally went down the rubbish/recycling route. There’s been an awful lot of news regarding plastic bottles and how this was adversely effecting the oceans. I explored some artists for some inspiration.


I found the above image (sorry lost the references) which was pretty cool. However I never really explored this too far as I was distracted by the following;

One day I was listening to one of my favourite songs; Radiohead’s Fake Plastic Trees…. this took me down a road which would eventually influence my final photographs.


As you may be able to work out from my workings above it gave me some new ideas;

  • Traces of what someone ‘used to be’. Old people have such depth; physically and historically. I wanted to explore if you could still see traces of a former life. In my head I thought about an old surgeon (from the lyrics); would you be able to work out if he/she was by where they lived, clothes they dressed in etc? Thought it may be cool to go to an old peoples home, ask around, see if any obvious signs.
  • Death; people leave behind traces of their existence when they pass away. This gave me a couple of ideas;

I’ve always been really intrigued, visually and emotionally, when people leave flowers by the side of the road where somewhere has passed away. If its a spot you regularly pass sometimes a story will develop. You will notice when the flowers start to die…sometimes they’re replaced, sometimes they will just die away. Certain times of the year they may be replaced, I would assume on a important anniversary. Very rarely will the flowers be replaced for years. What happens emotionally for it to stop; does it prolong the pain? has the person putting them there passed away?

I came across these flowers in the Hight Street.. It was really moving. I felt uncomfortable taking the photos… I felt a bit like a voyeur on someone’s grief…taking photos for my own needs when something tragic has happened. This, along with there being no guarantees, within my timescales, of any flowers being any where around Exeter, I decided to leave this project for now.

So I ended up with the following… My mum passed away a couple of years ago.. It stills feels pretty raw and its probably safe to say I’m still grieving . I wanted to embrace this as I remembered when Trent Parke talked about the emotional side of photography; the photo’s having you in them.

We obviously have some of her ‘stuff’ around the house…she has left behind traces of her existence.

I researched Chloe Juno’s work specifically her ‘Someone’s Rubbish’ collection, which you can find on her Instagram account. I really liked her style; I thought her work was funny, I liked the use of colours and I loved the ‘everyday’ items that she used. It almost feels like Martin Parr’s style but without people. I decided to use her work as a basis for my project.

With my work I wanted to photograph the everyday items we have kicking around the house that belonged to my mum. I didn’t want to over dramatize it and have something really sentimental. I wanted to try and have a little humour in there if possible.
Juxtaposed to any humour in the items, there is an obvious dark side and sadness to these items. So I tried to portray this in the style of the photo’s, also using some of the techniques I had learnt on the course.

I wasn’t able to take these items outside so I set up a little homemade studio (after watching lots of different YouTube video’s!). This meant that the photo’s were quite stylised and lost their ‘everyday’ feel that you find in Chloe Juno’s work

I went for a black background, using a low light and using very high contrast to create a ‘sombre’ feeling. I tried to place the items at slightly different angles, where possible, so they weren’t ‘perfect’. As the situation is far form perfect.

I wanted the lighting to reflect the situation. Its mostly a dark situation (in this stage of my grieving), but I cant and don’t want to forget the light that she left behind.
The items are all pretty naff…she loved naff! Everyday items, such as ones used by Chloe Juno in her work. She also loved to make things; birthday cards etc. She was not a Buddhist.

I’ve actually been able to connect with Chloe Juno on Instagram and we’ve chatted about her work and my project. It’s really valuable learning that these great photographer’s are accessible to us, and are very happy and willing to give feedback.

Anyway…here’s the final photo’s;

Technically I’m quite happy with how they look. I didn’t have to do too much in photoshop; few crops, increasing contrast for a blacker background.

There’s a little bit of inconsistency with the lighting. I used natural lighting, which changed throughout the day. With doing other stuff around the house on the day, I kept on having to come back to take photo’s. In an ideal world I would have been highly organised and made sure I banged them out in a short 10/20 minute period.


I couldn’t quite leave it there… I wanted to experiment with taking photo’s of the objects in their natural setting and also taking them in the direct style of Chloe Juno.

Natural Setting



Influenced by the style of Chloe Juno work ‘Someone’s Rubbish’


I’m fairly happy with these photo’s. I think I’ve kind of got the style right with Chloe Juno’s work. It was hard as I was being influenced by ‘Someone’s Rubbish’ but these objects are far from rubbish to me. I probably thought about the background a little bit more than Chloe does.

The Natural Setting photo’s are as they are….nothing special, although I feel it is good to see them in their natural setting.

Both lacked any symbolism through their settings and techniques that I felt the main photos had.